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STRANGEPLACE Sabishii

An Attempt at Melancholy
The exhibition brings together Peter Voigt’s deserted architectural photographs of Tokyo and Katrin Paul’s fragile paper works in a quiet dialogue about “Sabishii” 寂しい – that feeling of emotional emptiness and gentle melancholy that places and spaces can convey through their visible loneliness and hidden memories..

Katrin Paul — Installation
Peter Voigt — Photography
Opening remarks — Max Pauer

Katrin Paul • Installation and photography

Katrin Paul is an artist working internationally with paper, installation, and photography. Her studies took her to Dortmund and Karlsruhe as well as to the Tama Art University in Tokyo, where she lived and worked during several study and scholarship stays. In her artistic practice, she explores the materiality of paper, transforming it through techniques such as tearing, folding, and the application of heat and liquids. Her works move between drawing, object, and spatial installation. Paul has exhibited her work in Japan, the USA, and Europe and has participated in numerous exhibitions.

Peter Voigt • Photography

Photographer and visual artist. He pursues long-term projects that explore social dynamics and their spatial impact on human-shaped landscapes and urban spaces. His works have been exhibited nationally and internationally. Voigt’s photographs are characterized by a clear, minimalist visual language. Using large-format cameras, he captures architectural details and the atmosphere of Japanese cities with impressive precision.

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Analog electronic photography 

Early space missions used analog electronic imaging systems with Vidicon tubes to capture still photographs. These cameras scanned scenes line by line, converting visual data into analog signals for transmission. Image quality was limited by tube sensitivity and the instability of analog transmission, often resulting in noise, distortions, and missing data. While the image capture itself remained analog, later missions began using digital transmission methods, improving reliability and clarity. Analog imaging systems were also used in scientific, industrial, and surveillance contexts, but remained niche due to their cost and complexity. Today, their characteristic flaws have become part of the visual legacy of early machine vision.

Surveyor 3 mosaic
Original vintage NASA photograph
Silver gelatin print
80 x 105 cm
printed in 1966

Strangelove Collection (provenance: Enrique Garcia, NASA).

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Strange Surveyor 1 

As part of the exhibition, we documented the floor of our exhibition space using a super high-resolution camera system, which we humorously named Strange Surveyor 1. The resulting series, titled Groundwork, mimics the early space mosaic photographs of missions like Surveyor. Individual images were stitched together into large-scale compositions; the original files reach dimensions of up to eight meters in height. For practical reasons, the prints were produced at a reduced size.

groundwork-1

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Digital Sensor Artifacts 

Glitches in digital backs often arise from synchronization errors between the sensor readout and the shutter mechanism, particularly in complex camera systems. Additional faults can occur during black calibration processes, where incorrect dark frame data is applied. Environmental factors such as static charges, electrical interference, or sudden temperature changes can further destabilize signal integrity — leading to visible artifacts like banding, ghosting, color shifts, or corrupted image segments.

Ironically, these errors tend to appear during the most critical productions, when they are least welcome. Fortunately, instead of discarding them in frustration, I decided to preserve these rare moments of technological misbehavior — and are now happy to share them.

Strangeplace Edition Nr.: 4