Frankfurt‐based sociologist, artist, and exhibition manager. Works in visual arts with an emphasis on installation, closed‐circuit, video, and occasionally performative intersections of audio, video, and performance. Formerly active at SIKS‐Frankfurt, HoRsT‐Gallus, and in extremism research; currently at ZKM Karlsruhe.

Peter Voigt’s works in Unbestimmtheitsstellen trace a historic and artistic line from the early days of analog electronic photography to contemporary digital image capture. His photographs build on transmission errors and image faults first encountered in the space photography of the 1960s and 1970s, particularly in NASA's Surveyor, Viking and Voyager missions. These early glitches — caused by unstable electronic signals and mechanical imperfections — become the starting point for a dialogue with today's synchronization and black balance errors found in high-resolution digital backs.

Voigt deliberately works with the technical margins of imaging devices, transforming unintended faults into visual phenomena that question perception and reality. Using both original NASA images and his own contemporary photography, he reveals a continuity of fragility in technological vision, despite decades of development. In Unbestimmtheitsstellen, data loss, signal noise, and synchronization failures are no longer mere mistakes — they become markers of a broader uncertainty, a reminder that even the most advanced imaging technologies remain bound to error, context, and interpretation.